This certainly is one very…daring episode…
Sena is still in gaming mode, but for some reason she’s playing a H-game in the clubroom. Yozora can’t resist the opportunity to torment Sena and makes Sena read the dialogue of a ‘scene’ out loud. Sena stumbles through it then gives up and flees. Upon returning home, we get to see Kodaka’s younger sister, Kobato, who dresses up loli-goth style to mirror a character from ‘Full Metal Necromancer’. The next day, Sena makes the comment that she can’t swim. It ends up leading to a trip to a swiming centre for Sena and Kodaka so she learns to swim – so it’s the first time we get two see more than one member of the club outside of a school setting together. It goes well for Sena and there’s service in plentiful supply in this part of the episode – but nothing absurd. The conversation between the two over lunch reveals some interesting things – Kodaka’s dad and Sena’s dad were friends for a long time. Sena is actually fond of being called ‘Meat’ since it’s her first nickname. While Kodaka uses the bathroom, Sena gets surrounded by a bunch of guys and her mouth further inflames a bad situation. Kodaka uses his ‘image’ to scare the guys away. Sena replies with her usual manner – and Kodaka doesn’t let her get off lightly. The severity of Kodaka’s words gets through to Sena and she temporarily shows a moment of indirect gratitude before going back to normal. But the effect lingers – Sena is finally able to see Kodaka as a person she values and not just another guy. Sena’s manner in the aftermath is smoother and grateful. There’s a service moment with Kobato shortly afterwards that’s appropriately censored (thank flock) and the scene quickly switches to a flashback. It is revealed Kodaka once had a dear friend in his childhood – and it’s Yozora…The preview to the next episode indicates the reverse trap and mini-nun characters will appear in Episode 4.
So…this was definitely a more loaded episode. The ecchi factor was ramped up for sure this episode and I think it will remain to be on a similar level of stimulation from now on. Still, no character got degraded. Sena’s swimsuit was revealing, but in all honesty, clothing that revealing at swimming centres, the beach and general garb during summer is quite revealing anyway. Sena’s attire isn’t cheap or demeaning. I actually found the scene to be fairly well animated. Rather than relying on the cliche effect of breast bouncing or butt-flexing, Sena’s movements weren’t exaggerated – she is naturally a looker. It also helps that Kodaka didn’t act like a lecher plus he avoided overreacting like a lot of generic males in the genre. And when he needed to be the man but not a prick when Sena needed bailing out, he pulled it off. The scene with Kobato was clearly to appeal to those who like their lolis (I sure don’t…) but it wasn’t creepy or anything and thankfully didn’t last long. Although it must be said Kana Hanazawa is a good choice to voice Kobato – she sounds naturally suited to the role and sells it well. Plus the heterochromia is a nice feature. As for game references, I hope they don’t pop up every episode or the Sena-Kirino similarity will be overemphasised and hurt Sena’s popularity.
About Sena – she definitely got some significant character development this episode. It is clear that while she acts superior generally, Sena does yield to Yozora rather easily and is provoked into a reaction soon after. Yet with Kodaka, we get to see the other side of her. The Sena that genuinely wants to have a good time, be happy and hang out with friends. The day out with Kodaka serves as a lesson to Sena that she can see males as potential friends/actual people rather than just typical guys who lust after her. Kodaka’s rebuke also serves to show he isn’t the typical guy or harem guy. He isn’t going to be their beat-up toy or plaything. He will demand their respect and make that clear. It evokes an interesting change in Sena’s persona when someone not submitting to her normal behaviour makes her realise it is that behaviour that has created the issues that prevented her from making friends. Sena now realises Kodaka does genuinely care about her – and Sena finally lowers her boundaries, daring to be nice to Kodaka in return. As hoped, Kodaka is not just excess baggage – he is an active participant and important to the mix. Now the dynamic is not just between Yozora and Sena. There is now a dynamic between Kodaka and both females. And in the case of Sena and Kodaka, it is now at a state one can call friendship as Sena now has openly acknowledged the fact she does want to spend time with Kodaka on a regular basis. This episode sets Sena apart from Kirino big time – for which I am grateful. Sena is able to communicate without being violent or majorly condescending – something Kirino could never quite do.
The flashback scene was very effective and allows Yozora to have her moment this episode despite getting little airtime during it. Yozora certinaly seems like the childhood friend from Kodaka’s earlier years. Okay, this plot point is fairly cliche, but the scene had impact because of the timing, execution and good source material to back it up. This was not your generic revelation scene. It allowed the viewer to feel for Yozora but realise her stubborn nature is a major hurdle and going to hinder her from being able to move forward. Five seconds was all Yozora needed to be able to match the impact Sena had over ten minutes. This scene sets up a key difference between Yozora and Sena. Yozora is unable to admit her feelings when it comes to the crunch – or at least nowhere near as easily as Sena can. The potential for romantic possibilities between Kodaka and either girl have been set up – and with that comes a lot of potential tension between the trio. Still, at this point, there are plenty of reasons to like both girls, which is a good thing.
Again, this show continues to do what it does well – provide some light, silly fun with a bit of steam. And the arrival of the reverse trap and the nun are bound to kick things up a few more notches! For being nothing out of the ordinary, it’s excelling at character development and key moments a rightside better than most series this year.